Diepenbrock was never trained professionally as a musician – he learned mainly from experience and read as many books as he could about music history and music theory. One of the fields in which he was especially interested was the theatre, particularly great classical tragedies. During the last ten years of his life Diepenbrock composed the stage works heard here, where he endeavoured to combine the music in various ways with the theatrical elements of dance and recitation.01. Bamberger Symphoniker – Electra I. Andante agitato – Adagio02. Bamberger Symphoniker – Electra II. Presto – Più lento – Andantino – Presto03. Bamberger Symphoniker – Electra III. Lento – Sostenuto e agitato – Largamente04. Bamberger Symphoniker – Electra IV. Allegro agitato – Maestoso05. Bamberger Symphoniker – De Vogels06. Bamberger Symphoniker – Marsyas Suite I. Prélude. Réveil au printemps de Marsyas07. Bamberger Symphoniker – Marsyas Suite II. Entr’acte. Vagabondages à travers les forets08. Bamberger Symphoniker – Marsyas Suite III. Marsyas et les nymphes09. Bamberger Symphoniker – Marsyas Suite IV. Prélude du troisième acte. Nuit d’été10. Bamberger Symphoniker – Marsyas Suite V. Final. Danse des nymphes et epilogue d’Apollon13222990066/49.72.150.151